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I realized one of the stories I'm working on doesn't have enough conflict. It's structured in such a way that each encounter has to have a greater emotional magnitude than the last. What are some ways to crack open or increase conflict in the mid-section of a story? Can an emotional pivot be enough?

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Hi Catherine, Thanks for another excellent question. Let me give this some thought and I'll address it in a writing prompt next week!

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Thank you!

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